couture fall 2012 review: Christian Dior

Raf Simons is an interesting appointment to Dior. Simons' sharp sartorial architecture for Jil Sander is more than well-known, though I'm not personally a huge fan. From the brilliant, over-the-top Galliano to the rather understated Simons is, I think, a brave move on the part of Dior.

To be honest, I didn't expect to like this collection. How could anyone replace Galliano, who has produced some of the greatest couture pieces in history?

Well, Simons wouldn't. He doesn't intend to either. The first look, a sleek black pant suit, could easily slot into a Jil Sander runway show. I guess it was a clear statement that he'd be doing Dior his way. The Dior references were indeed present. There was the occasional dip into floral and bright hues, but only paired with tuxedo pants and simple silhouettes. The New Look was revived in the most amazing white organza strapless dress, 'embroidered with Pontillists degrade chiffon', a surprisingly refreshing look.

But the ultimate homage to the house of Dior was the insanely beautiful set made up of a million flowers. Cue a million sighs.

Source: Dior, www.style.com